A Label Worth the Coffee
Benjamin Benjamin

A Label Worth the Coffee

A label seems so small. It's just a slip of paper riding on the side of a bag. But for me it carries the whole promise of the project. It has to tell our story in a single glance: hand‑craft, contrast, quiet curiosity. It also has to survive the inglorious journey from roastery to countertop without bleeding, smudging, or costing more than the coffee inside.

A few months ago I told myself, half‑jokingly, that I would try lino‑printing again—something I hadn’t touched since high‑school art class. That same evening, on the way to dinner, I passed a shop that sells nothing but professional lino supplies. Serendipity yanked me off course. I rearranged my roasting schedule, squeezed through their door the next morning, and spent an hour with a lino artist who spoke about gouges and brayers the way farmers speak about weather. When I explained our coffee project he nodded and said, almost off‑hand, “Why not make paper from your old jute sacks?”

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A Local Table, A Global Conversation
Benjamin Benjamin

A Local Table, A Global Conversation

"Don’t ask me how this scales. Ask me how this spreads." — Dan Barber

Not long ago, every fine‑dining menu was judged by the same yardstick: How close could the chef land to the canonical duck confit, the flawless bouillabaisse, the perfect coq au vin? Today, we arrive at restaurants with a completely different hunger. We don’t want the same dish executed immaculately. We want a dish that could only have been imagined here, on this soil, by these hands.

Coffee, oddly, still lives in yesterday’s dining room. We slip into a new café, puff up our critical feathers, and decree, “I shall judge thee by the merit of thy flat white! …Ooh and may I have a cookie, too?” In response, most specialty coffee bars around the world have converged on a single, safe template: same gear, same drinks, same pale pastries, delivered with the same earnest smile.

Which leaves us with the same restless question the restaurant world faced a decade ago: What’s next?

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Made by Hand
Benjamin Benjamin

Made by Hand

This is a project I want to build slowly. To spend years refining and growing. To make something that carries the best of what I’ve learned—and everything I still want to explore.

I’ve drawn since I could hold a pencil. Studied fine art. Worked as a graphic designer. I’ve been a florist, delivering bouquets by bicycle. A shoemaker, sewing one-off bags and stockings from scraps. I’ve made jam from family recipes and inherited a cookie recipe laser-etched onto a cutting board in my mother’s handwriting.

And coffee…

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Lay of the Land
Benjamin Benjamin

Lay of the Land

For those unfamiliar with Paris—or with how the city fits into the wider map of France—it helps to know about our layered public transit system, which is constantly being remodeled and expanded. The three main layers of rail travel here are the Paris Metro, the TER, and the TGV.

The Metro is without question the most iconic. Just saying the name conjures images of white-tiled tunnels with arched ads, and well-worn subway cars rattling through the dark while the Eiffel Tower’s spotlight swings its nightly arc over the city, keeping watch.

But the layer I want to focus on here is the TER—Transport Express Régional…

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Mixing It Up
Benjamin Benjamin

Mixing It Up

Blending remains taboo in specialty coffee.

Say the word and you can feel the room stiffen—how dare you muddy a prized geisha with something else? For years, we've celebrated purity: single origins, single varietals, singular stories. But as I cup hundreds of coffees each season, I find myself wondering... what if we’ve misunderstood the true potential of the cup? What if we stopped treating coffee like a solo act—and started treating it like a canvas?

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A Pallet and a Plan
Benjamin Benjamin

A Pallet and a Plan

Our project may still be on paper, but it’s important to go through what a typical day could look like. This will give us a clearer picture, help us to avoid potential problems, and see aspects of it that we hadn’t yet considered.

Coffee delivery day. The truck pulls up.
“Bonjour monsieur, vous allez bien?”
The driver waves as we unload sacks of green coffee, the smell of jute mingling with damp stone and the hum of our little electric mini-truck. It’s a bit beat-up but it gets the job done.

This is how it starts. Not with fanfare, but with a pallet and a plan.

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Art Repeats
Benjamin Benjamin

Art Repeats

As tools become more precise—roasting machines that hear first crack before we do, pour-over machines that mimic expert hands—we find ourselves asking: does precision diminish the craft? If the machine can do it, what’s left for the artisan?

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Coffee in the Countryside
Benjamin Benjamin

Coffee in the Countryside

Imagine coffee from one person's vision, working directly with a single producer, harvesting and processing an exclusive batch, then roasting it on-site with specific intentions. Imagine spending weeks perfecting recipes, making house-made milks, crafting cups, hand-painting labels. The menu would skip flat whites and lattes for unique drinks you've never tried but somehow feel just right. This is countryside specialty coffee in France—what it should be and what I aim to create.

These are my initial project notes: why I'm creating it, its uniqueness, why it belongs in today's coffee world, and my ongoing research. I'll detail everything from space design to equipment selection and menu creation.​​​​​​​​​​​​​​​​

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